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KurzweilAI | Accelerating Intelligence. The Computer as a Communication Device. This landmark 1968 essay foresaw many future computer applications and advances in you soundtrack communication technology, such as distributed information resources and online interactive communities that are commonplace today as Internet chat rooms and peer-to-peer applications. Originally published in Science and Technology , April 1968 . Should Gay Couples Be Allowed To Adopt? Published on November 9, 2001. In a few years, men will be able to communicate more effectively through a machine than face to face. That is a rather startling thing to say, but it is our conclusion. As if in ten things about confirmation of it, we participated a few weeks ago in a technical meeting held through a computer. Myer Shares? In two days, the group accomplished with the aid of a computer what normally might have taken a week. We shall talk more about the mechanics of the meeting later; it is i hate you soundtrack, sufficient to note here that we were all in the same room.

But for all the communicating we did directly across that room, we could have been thousands of miles apart and communicated just as effectively-as people-over the distance. Our emphasis on people is deliberate. Be Allowed? A communications engineer thinks of communicating as transferring information from about you soundtrack, one point to another in codes and signals. But to communicate is more than to gay couples be allowed to adopt send and to receive. Do two tape recorders communicate when they play to ten things you soundtrack each other and record from each other? Not really-not in our sense. We believe that communicators have to do something nontrivial with the information they send and facticity definition receive.

And we believe that we are entering a technological age in which we will be able to interact with the richness of living information-not merely in the passive way that we have become accustomed to using books and libraries, but as active participants in an ongoing process, bringing something to it through our interaction with it, and not simply receiving something from it by i hate, our connection to it. To the people who telephone an hardness of mild, airline flight operations information service, the tape recorder that answers seems more than a passive depository. It is an often-updated model of a changing situation-a synthesis of information collected, analyzed, evaluated, and assembled to represent a situation or process in an organized way. Still there is not much direct interaction with the airline information service; the ten things i hate about tape recording is not changed by the customers call. We want to emphasize something beyond its one-way transfer: the increasing significance of the jointly constructive, the mutually reinforcing aspect of steel communication-the part that transcends now we both know a fact that only one of us knew before. When minds interact, new ideas emerge. We want to talk about the creative aspect of communication. Creative, interactive communication requires a plastic or moldable medium that can be modeled, a dynamic medium in which premises will flow into you soundtrack, consequences, and above all a common medium that can be contributed to and experimented with by all. Such a medium is at handthe programmed digital computer. Its presence can change the shares price nature and value of communication even more profoundly than did the printing press and i hate about you soundtrack the picture tube, for, as we shall show, a well-programmed computer can provide direct access both to informational resources and to the processes for facticity definition, making use of the resources.

Communication: a comparison of models. To understand how and why the computer can have such an effect on communication, we must examine the idea of modeling-in a computer and ten things i hate with the aid of a computer. Facticity Definition? For modeling, we believe, is basic and central to communication. Any communication between people about the same thing is a common revelatory experience about informational models of that thing. Each model is a conceptual structure of abstractions formulated initially in the mind of one of the persons who would communicate, and if the concepts in the mind of one would-be communicator are very different from those in the mind of another, there is no common model and no communication. By far the most numerous, most sophisticated, and ten things i hate you soundtrack most important models arc those that reside in everything falls mens minds, In richness, plasticity, facility, and economy, the mental model has no peer, but, in other respects, it has shortcomings. It will not stand still for careful study. It cannot be made to you soundtrack repeat a run.

No one knows just how it works. Hardness Steel? It serves its owners hopes more faithfully than it serves reason. It has access only to the information stored in one mans head. It can be observed and ten things i hate about manipulated only by one person. Society rightly distrusts the modeling done by a single mind. Society demands consensus, agreement, at least majority. Fundamentally, this amounts to gay couples be allowed the requirement that individual models be compared and brought into some degree of ten things about you soundtrack accord.

The requirement is for communication, which we now define concisely as cooperative modelingcooperation in the construction, maintenance, and use of a model. How can we be sure that we are modeling cooperatively, that we are communicating, unless we can compare models? When people communicate face to face, they externalize their models so they can be sure they are talking about the same thing. Even such a simple externalized model as a flow diagram or an coles shares price, outlinebecause it can be seen by all the communicatorsserves as a focus for discussion. It changes the nature of communication: When communicators have no such common framework, they merely make speeches at each other; but when they have a manipulable model before them, they utter a few words, point, sketch, nod, or object. The dynamics of such communication are so model-centered as to ten things you soundtrack suggest an important conclusion: Perhaps the reason present-day two-way telecommunication falls so far short of Moving Mountain: Mapping at Tinker Creek face-to-face communication is simply that it fails to provide facilities for about, externalizing models. Is it really seeing the expression in the others eye that makes the face-to-face conference so much more productive than the elvis married telephone conference call, or is it being able to create and modify external models? In a technical project meeting, one can see going on, in fairly clear relief, the modeling process that we contend constitutes communication.

Nearly every reader can recall a meeting held during the i hate you soundtrack formulative phase of a project. Each member of the project brings to such a meeting a somewhat different mental model of the common undertaking-its purposes, its goals, its plans, its progress, and its status. Each of these models interrelates the past, present, and future states of affairs of apart (1) himself, (2) the group he represents; (3) his boss; (4) the project. Many of the primary data the participants bring to the meeting are in undigested and uncorrelated form. To each participant, his own collections of data are interesting and important in and of themselves. And they are more than files of facts and recurring reports. They are strongly influenced by ten things i hate about, insight, subjective feelings, and educated guesses. Thus, each individuals data are reflected in elvis married his mental model. Getting his colleagues to ten things i hate you soundtrack incorporate his data into Dillard’s Moving Mapping at Tinker, their models is the essence of the communications task. Suppose you could see the models in the minds of two would-be communicators at this meeting. You could tell, by observing their models, whether or not communication was taking place.

If, at the outset, their two models were similar in structure but different simply in the values of certain parameters, then communication would cause convergence toward a common pattern. That is the easiest and most frequent kind of communication. If the two mental models were structurally dissimilar, then the ten things about you soundtrack achievement of communication would be signaled by structural changes in one of the facticity definition models or in both of them. We might conclude that one of the communicating parties was having insights or trying out new hypotheses in order to begin to understand the i hate you soundtrack other-or that both were restructuring their mental models to achieve commonality. The meeting of many interacting minds is a more complicated process. Suggestions and price recommendations may be elicited from all sides. The interplay may produce, not just a solution to a problem, but a new set of rules for solving problems. That, of course, is the essence of creative interaction.

The process of maintaining a current model has within it a set of changing or changeable rules for the processing and ten things about you soundtrack disposition of information. The project meeting we have just described is representative of a broad class of hardness human endeavor which may be described as creative informational activity. Let us differentiate this from another class which we will call informational housekeeping. About You Soundtrack? The latter is what computers today are used for in the main; they process payroll checks, keep track of bank balances, calculate orbits of space vehicles, control repetitive machine processes, and maintain varieties of debit and credit lists. Gay Couples Be Allowed? Mostly they have not been used to make coherent pictures of ten things i hate about you soundtrack not well understood situations.

We referred earlier to a meeting in which the participants interacted with each other through a computer. That meeting was organized by Doug Engelbart of Moving Mapping Stanford Research Institute and was actually a progress-review conference for a specific project. Ten Things I Hate You Soundtrack? The subject under discussion was rich in detail and broad enough in scope that no one of the attendees, not even the host, could know all the information pertaining to this particular project. Tables were arranged to form a square work area with five on a side. The center of the to adopt area contained six television monitors which displayed the alphanumeric output of ten things i hate about a computer located elsewhere in the building but remotely controlled from a keyboard and a set of electronic pointer controllers called mice. Any participant in falls apart the meeting could move a near-by mouse, and thus control the i hate movements of a tracking pointer on the TV screen for all other participants to see. Each person working on the project had prepared a topical outline of his particular presentation for the meeting, and Dillard’s Moving Mountain: a Landscape his outline appeared on the screens as he talkedproviding a broad view of his own model. Many of the outline statements contained the names of particular reference files which the ten things you soundtrack speaker could recall from the computer to appear in detail on everything falls apart book the screens, for, from the beginning of the project, its participants had put their work into the computer systems files. So the meeting began much like any other meeting in the sense that there was an overall list of agenda and that each speaker had brought with him (figuratively in his briefcase but really within the computer) the material he would be talking about. The computer system was a significant aid in exploring the depth and breadth of the material. Ten Things I Hate You Soundtrack? More detailed information could be displayed when facts had to be pinpointed; more global information could be displayed to answer questions of relevance and interrelationship.

A future version of this system will make it possible for Mapping a Landscape, each participant, on his own TV screen, to thumb through the speakers files as the speaker talksand thus check out incidental questions without interrupting the presentation for substantiation. Obviously, collections of primary data can get too large to digest. There comes a time when the complexity of a communications process exceeds the available resources and the capability to ten things i hate about cope with it; and at that point one has to simplify and draw conclusions. It is frightening to realize how early and drastically one does simp1ify, how prematurely one does conclude, even when the facticity stakes are high and when the transmission facilities and information resources are extraordinary. Deep modeling to communicateto understandrequires a huge investment. Perhaps even governments cannot afford it yet. But someday governments may not be able not to afford it. Ten Things About You Soundtrack? For, while we have been talking about the communicant ion process as a cooperative modeling effort in elvis married a mutual environment, there is also an aspect of communication with or about an uncooperative opponent. As nearly as we can judge from about, reports of recent international crises, out of the hundreds of alternatives that confronted the decision makers at each decision point or ply in the game, on the average only a few, and never more than a few dozen could be considered, and only a few branches of the game could be explored deeper than two or three such plies before action had to definition be taken. Each side was busy trying to model what the other side might be up tobut modeling takes time, and the pressure of events forces simplification even when it is dangerous. Whether we attempt to communicate across a division of interests, or whether we engage in a cooperative effort, it is ten things about you soundtrack, clear that we need to be able to hardness of mild steel model faster and to greater depth.

The importance of improving decision-making processesnot only in i hate about you soundtrack government, but throughout business and the professionsis so great as to warrant every effort. As we see it, group decision-making is shares, simply the active, executive, effect-producing aspect of the i hate kind of communication we are discussing. We have commented that one must oversimplify. We have tried to say why one must oversimplify. Hardness Of Mild? But we should not oversimplify the about main point of this article. We can say with genuine and strong conviction that a particular form of digital computer organization, with its programs and its data, constitutes the dynamic, moldable medium that can revolutionize the art of modeling and that in so doing can improve the effectiveness of communication among people so much as perhaps to everything falls revolutionize that also. But we must associate with that statement at once the qualification that the computer alone can make no contribution that will help us, and that the computer with the programs and the data that it has today can do little more than suggest a direction and provide a few germinal examples. Emphatically we do not say: Buy a computer and your communication problems will be solved. What we do say is that we, together with many colleagues who have had the experience of about you soundtrack working on-line and interactively with computers, have already sensed more responsiveness and facilitation and power than we had hoped for, considering the inappropriateness of present machines and the primitiveness of their software. Many of us are therefore confident (some of us to the point of religious zeal) that truly significant achievements, which will markedly improve our effectiveness in communication, now are on the horizon. Many communications engineers, too, are presently excited about the application of digital computers to communication.

However, the function they want computers to implement is the switching function. Computers will either switch the elvis married communication lines, connecting them together in required configurations, or switch (the technical term is store and forward) messages. The switching function is important but it is not the one we have in mind when we say that the computer can revolutionize communication. We are stressing the modeling function, not the switching function. Until now, the communications engineer has not felt it within his province to facilitate the ten things you soundtrack modeling function, to make an interactive, cooperative modeling facility. Information transmission and facticity definition information processing have always been carried out separately and have become separately institutionalized. There are strong intellectual and social benefits to be realized by the melding of ten things about these two technologies. There are also, however, powerful legal and administrative obstacles in the way of any such melding. Distributed intellectual resources.

We have seen the beginnings of communication through a computercommunication among people at consoles located in the same room or on the same university campus or even at distantly separated laboratories of the same research and development organization. This kind of Dillard’s Mountain: a Landscape in Pilgrim Creek communicationthrough a single multiaccess computer with the aid of telephone linesis beginning to foster cooperation and promote coherence more effectively than do present arrangements for sharing computer programs by exchanging magnetic tapes by ten things about you soundtrack, messenger or mail. Computer programs are very important because they transcend mere datathey include procedures and processes for structuring and manipulating data. These are the elvis married main resources we can now concentrate and share with the i hate about aid of the tools and definition techniques of computers and communication, but they are only i hate about a part of the whole that we can learn to concentrate and falls apart book share. I Hate About? The whole includes raw data, digested data, data about the location of dataand documentsand most especially models. To appreciate the import ante the new computer-aided communication can have, one must consider the dynamics of critical mass, as it applies to cooperation in creative endeavor. Take any problem worthy of the name, and you find only a few people who can contribute effectively to its solution. Those people must be brought into close intellectual partnership so that their ideas can come into contact with one another. But bring these people together physically in one place to form a team, and you have trouble, for the most creative people are often not the best team players, and Mapping a Landscape in Pilgrim at Tinker there are not enough top positions in i hate a single organization to keep them all happy. Let them go their separate ways, and each creates his own empire, large or small, and devotes more time to the role of emperor than to the role of problem solver.

The principals still get together at meetings. They still visit one another. But the time scale of shares price their communication stretches out, and the correlations among mental models degenerate between meetings so that it may take a year to i hate about you soundtrack do a weeks communicating. Elvis Married? There has to be some way of facilitating communicant ion among people wit bout bringing them together in one place. A single multiaccess computer would fill the about bill if expense were no object, but there is no way, with a single computer and individual communication lines to several geographically separated consoles, to avoid paying an unwarrantedly large bill for transmission. Part of the economic difficulty lies in our present communications system. To Adopt? When a computer is used interactively from about, a typewriter console, the signals transmitted between the console and hardness of mild the computer are intermittent and not very frequent. They do not require continuous access to ten things i hate about a telephone channel; a good part of the time they do not even require the falls apart full information rate of such a channel. Ten Things? The difficulty is should gay couples, that the common carriers do not provide the kind of ten things about service one would like to havea service that would let one have ad lib access to a channel for short intervals and not be charged when one is not using the channel.

It seems likely that a store-and-forward (i.e., store-for-just-a-moment-and-forward-right-away) message service would be best for this purpose, whereas the common carriers offer, instead, service that sets up a channel for ones individual use for a period not shorter than one minute. The problem is further complicated because interaction with a computer via a fast and gay couples be allowed flexible graphic display, which is for most purposes far superior to interaction through a slow-printing typewriter, requires markedly higher information rates. Not necessarily more information, but the same amount in faster burstsmore difficult to handle efficiently with the conventional common-carrier facilities. It is perhaps not surprising that there are incompatibilities between the requirements of i hate about you soundtrack computer systems and the services supplied by the common carriers, for elvis married, most of the common-carrier services were developed in about support of coles myer shares price voice rather than digital communication. Nevertheless, the incompatibilities are frustrating. It appears that the best and ten things i hate about quickest way to overcome them-and to move forward the development of interactive communities of geographically separated people-is to set up an experimental network of coles shares multiaccess computers. Computers would concentrate and interleave the concurrent, intermittent messages of many users and their programs so as to utilize wide-band transmission channels continuously and efficiently, with marked reduction in overall cost. Computer and information networks. The concept of computers connected to computers is not new. Computer manufacturers have successfully installed and maintained interconnected computers for some years now. But the computers in i hate about you soundtrack most instances are from families of machines compatible in both software and hardware, and they are in the same location.

More important, the hardness interconnected computers are not interactive, general-purpose, multiaccess machines of the type described by David [1] and Licklider [2]. Although more interactive multi-access computer systems are being delivered now, and although more groups plan to be using these systems within the next year, there are at ten things you soundtrack present perhaps only as few as half a dozen interactive multiaccess computer communities . These communities are socio-technical pioneers, in several ways out ahead of the rest of the computer world: What makes them so? First, some of their members are computer scientists and engineers who understand the concept of gay couples to adopt man-computer interaction and ten things you soundtrack the technology of interactive multiaccess systems. Second, others of their members are creative people in other fields and disciplines who recognize the usefulness and who sense the impact of interactive multiaccess computing upon their work. Third, the communities have large multiaccess computers and have learned to Dillard’s Mountain: a Landscape use them. And, fourth, their efforts are regenerative. In the half-dozen communities, the computer systems research and development and you soundtrack the development of substantive applications mutually support each other.

They are producing large and growing resources of programs, data, and know-how. Shares? But we have seen only the beginning. There is much more programming and data collect ionand much more learning how to cooperateto be done before the i hate about you soundtrack full potential of the facticity definition concept can be realized. Obviously, multiaccess systems must be developed interactively. The systems being built must remain flexible and open-ended throughout the process of development, which is evolutionary. Such systems cannot be developed in small ways on small machines. They require large, multiaccess computers, which are necessarily complex. Indeed, the sonic barrier in the development of i hate you soundtrack such systems is complexity. These new computer systems we are describing differ from other computer systems advertised with the same labels: interactive, time-sharing, multiaccess. They differ by having a greater degree of open-endedness, by rendering more services, and above all by providing facilities that foster a working sense of community among their users. Should Gay Couples To Adopt? The commercially available time-sharing services do not yet offer the you soundtrack power and flexibility of soft ware resourcesthe general purposenessof the interactive multiaccess systems of the System Development Corporation in Santa Monica, the University of California at Berkeley, Massachusetts Institute of Technology in Cambridge and Lexington, Mass.which have been collectively serving about a thousand people for several years.

The thousand people include many of the leaders of the ongoing revolution in coles myer the computer world. For over a year they have been preparing for the transition to i hate you soundtrack a radically new organization of hardware and should gay couples to adopt software, designed to support many more simultaneous users than the current systems, and to offer themthrough new languages, new file-handling systems, and new graphic displaysthe fast, smooth interaction required for truly effective man-computer partnership. Experience has shown the ten things i hate importance of making the response time short and the conversation free and easy. We think those attributes will be almost as important for a network of computers as for be allowed to adopt, a single computer. Today the on-line communities are separated from one another functionally as well as geographically. Each member can look only to the processing, storage and i hate software capability of the facility upon which his community is apart, centered. But now the ten things i hate about you soundtrack move is on to interconnect the separate communities and thereby transform them into, let us call it, a supercommunity. Shares? The hope is ten things i hate, that interconnection will make available to all the members of all the communities the should be allowed programs and data resources of the entire supercommunity. I Hate? First, let us indicate how these communities can be interconnected; then we shall describe one hypothetical persons interaction with this network, of coles interconnected computers.

The hardware of a multiaccess computer system includes one or more central processors, several kinds of memorycore, disks, drums, and ten things about you soundtrack tapesand many consoles for the simultaneous on-line users. Everything? Different users can work simultaneously on diverse tasks. The software of such a system includes supervisory programs (which control the whole operation), system programs for interpretation of the users commands, the handling of his files, and graphical or alphanumeric display of information to him (which permit people not skilled in the machines language to use the system effectively), and programs and data created by the users themselves. The collection of people, hardware, and ten things i hate softwarethe multiaccess computer together with its local community of userswill become a node in of mild steel a geographically distributed computer network. Let us assume for a moment that such a network has been formed. For each node there is a small, general-purpose computer which we shall call a message processor. The message processors of ten things i hate you soundtrack all the nodes are interconnected to form a fast store-and-forward network. Shares? The large multi-access computer at each node is connected directly to the message processor there. Through the network of message processors, therefore, all the ten things large computers can communicate with one another.

And through them, all the members of the supercommunity can communicatewith other people, with programs, with data, or with selected combinations of those resources. The message processors, being all alike, introduce an element of uniformity into an otherwise grossly non-uniform situation, for they facilitate both hardware and software compatibility among diverse and poorly compatible computers. The links among the coles message processors are transmission and high-speed digital switching facilities provided by common carrier. This allows the linking of the message processors to be reconfigured in response to demand. A message can be thought of as a short sequence of bits flowing through the ten things i hate about you soundtrack network from one multiaccess computer to another. It consists of two types of information: control and data. Facticity Definition? Control information guides the transmission of data from source to destination. In present transmission systems, errors are too frequent for i hate about you soundtrack, many computer applications. However, through the use of error detection and correction or retransmission procedures in the message processors, messages can be delivered to their destinations intact even though many of their bits were mutilated at one point or another along the facticity way.

In short, the message processors function in the system as traffic directors, controllers, and correctors. Today, programs created at one installation on ten things i hate about a given manufacturers computer are generally not of much value to coles myer price users of about you soundtrack a different manufacturers computer at another installation. Gay Couples Be Allowed? After learning (with difficulty) of a distant programs existence, one has to i hate about you soundtrack get it, understand it, and recode it for his own computer. The cost is comparable to of mild the cost of preparing a new program from scratch, which is, in fact, what most programmers usually do. On a national scale, the annual cost is ten things about you soundtrack, enormous. Coles? Within a network of interactive, multiaccess computer systems, on the other hand, a person at ten things i hate about one node will have access to programs running at other nodes, even though those programs were written in facticity different languages for different computers. The feasibility of using programs at remote locations has been shown by the successful linking of the i hate AN/FSQ-32 computer at should gay couples be allowed Systems Development Corporation in ten things you soundtrack Santa Monica, Calif., with the steel TX-2 computer across the continent at the Lincoln Laboratory in Lexington, Mass. A person at a TX-2 graphic console can make use of a unique list-processing program at SDC, which would be prohibitively expensive to translate for use on the TX-2. A network of 14 such diverse computers, all of which will be capable of sharing one anothers resources, is now being planned by the Defense Departments Advanced Research Projects Agency, and its contractors. The systems way of managing data is i hate about, crucial to the user who works in interaction with many other people. It should put generally useful data, if not subject to control of access, into facticity, public files.

Each user, however, should have complete control over his personal files. He should define and ten things distribute the keys to each such file, exercising his option to exclude all others from any kind of access to it; or to permit anyone to read but not modify or execute it; or to permit selected individuals or groups to be allowed execute but not read it; and so on-with as much detailed specification or as much aggregation as he likes. Ten Things I Hate About You Soundtrack? The system should provide for group and organizational files within its overall information base. At least one of the new multiaccess systems will exhibit such features. In several of the research centers we have mentioned, security and privacy of information are subjects of active concern; they are beginning to get the attention they deserve.

In a multiaccess system, the number of consoles permitted to use the elvis married computer simultaneously depends upon ten things i hate about, the load placed on the computer by the users jobs, and may be varied automatically as the load changes. Large general-purpose muftiaccess systems operating today can typically support 20 to 30 simultaneous users. Some of these users may work with low-level assembly languages while others use higher-level compiler or interpreter languages. Dillard’s Mapping A Landscape In Pilgrim At Tinker Creek? Concurrently, others may use data management and graphical systems. And so on.

But back to our hypothetical user. He seats himself at his console, which may be a terminal keyboard plus a relatively slow printer, a sophisticated graphical console, or any one of ten things about you soundtrack several intermediate devices. He dials his local computer and gay couples be allowed logs in by presenting his name, problem number, and password to the monitor program. He calls for ten things i hate about, either a public program, one of his own programs, or a colleagues program that he has permission to use. The monitor links him to it, and he then communicates with that program. When the user (or the program) needs service from a program at another node in the network, he (or it) requests the service by specifying the location of the coles myer appropriate computer and the identity of the program required.

If necessary, he uses computerized directories to determine those data. The request is translated by one or more of the message processors into the precise language required by the remote computers monitor. Now the user (or his local program) and the remote program can interchange information. When the information transfer is complete, the user (or his local program) dismisses the remote computer, again with the aid of the ten things about you soundtrack message processors. In a commercial system, the remote processor would at this point record cost information for Mountain: Creek, use in billing. The mention of billing brings up an important matter. Computers and i hate long-distance calls have expensive images. One of the standard reactions to the idea of on-line communities is: It sounds great, but who can afford it?

In considering that question, let us do a little arithmetic. The main elements of the cost of computer-facilitated communication, over apart book and above the salaries of the you soundtrack communicators, are the cost of the Dillard’s Moving Mountain: Mapping Creek consoles, processing, storage, transmission, and supporting software. In each category, there is a wide range of possible costs, depending in part upon the sophistication of the equipment, programs, or services employed and in part upon whether they are custom-made or mass-produced. Making rough estimates of the hourly component costs per user, we arrived at the following: $1 for a console, $5 for ten things i hate about you soundtrack, one mans share of the services of a processor, 70 cents for storage, $3 for transmission via line leased from a common carrier, and $1 for elvis married, software support-a total cost of ten things about you soundtrack just less than $11 per Moving Mountain: Mapping Creek communicator hour. The only you soundtrack obviously untenable assumption underlying that result, we believe, is the assumption that ones console and the personal files would be used 160 hours per month. All the other items are assumed to be shared with others, and experience indicates that time-sharing leads on the average to somewhat greater utilization than the 160 hours per month that we assumed, Note, however, that the console and the personal files are items used also in individual problem solving and decision making.

Surely those activities, taken together with communication, would occupy at facticity least 25% of the working hours of the on-line executive, scientist or engineer. If we cut the duty factor of the about console and hardness of mild files to one quarter of 160 hours per month, the estimated total cost comes to ten things i hate about $16 per Moving Mapping a Landscape in Pilgrim hour. Let us assume that our $16/hr interactive computer link is ten things i hate you soundtrack, set up between Boston, Mass., and Washington, D.C. Is $16/hr affordable? Compare it first with the cost of ordinary telephone communication: Even if you take advantage of the lower charge per everything apart minute for long calls, it is about, less than the daytime direct-dial station-to-station toll.

Compare it with the cost of travel: If one flies from Boston to Washington in the morning and back in the evening, he can have eight working hours in the capital city in Mountain: Mapping return for about $64 in ten things i hate about you soundtrack air and taxi fares plus the should to adopt spending of four of his early morning and evening hours en route. If those four hours are worth $16 each, then the bill for the eight hours in Washington is $128-again $16 per hour. Ten Things I Hate? Or look at it still another way: If computer-aided communication doubled the hardness effectiveness of a man paid $16 per hour then, according to our estimate, it would be worth what it cost if it could be bought right now. Thus we have some basis for arguing that computer-aided communication is economically feasible. I Hate About? But we must admit that the figure of $16 per facticity definition hour sounds high, and we do not want to let our discussion depend upon it. Fortunately, we do not have to, for the system we envision cannot be bought at this moment. The time scale provides a basis for genuine optimism about the cost picture. It will take two years, at least, to bring the first interactive computer networks up to a significant level of experimental activity. Operational systems might reach critical size in as little as six years if everyone got onto the bandwagon, but there is little point in making cost estimates for a nearer date. So let us take six years as the target.

In the computer field, the cost of a unit of ten things i hate about you soundtrack processing and the cost of a unit of storage have been dropping for two decades at the rate of 50% or more every two years. In six years, there is time for at least three such drops, which cut a dollar down to 12 1/2 cents. Gay Couples Be Allowed? Three halvings would take the cost of processing, now $5 per hour on ten things you soundtrack our assumptions, down to less than 65 cents per hour. Such advances in everything falls apart capability, accompanied by reduction in cost, lead us to expect that computer facilitation will be affordable before many people are ready to take advantage of it. The only areas that cause us concern are consoles and transmission. In the console field, there is plenty of competition; many firms have entered the i hate about you soundtrack console sweepstakes, and more are entering every month. Lack of competition is not the problem. The problem is the problem of the chicken and the eggin the factory and in the market. If a few companies would take the plunge into mass manufacture, then the cost of a satisfactory console would drop enough to open up a mass market.

If large on-line communities were already in being, their mass market would attract mass manufacture. But at present there is neither mass manufacture nor a mass market, and consequently there is no low-cost console suitable for interactive on-line communication. In the field of transmission, the Moving Mountain: a Landscape Creek difficulty may be lack of competition. I Hate? At any rate, the cost of transmission is not falling nearly as fast as the cost of processing and storage. Nor is Dillard’s Mountain: a Landscape in Pilgrim at Tinker Creek, it falling nearly as fast as we think it should fall. Even the advent of satellites has affected the cost picture by less than a factor of ten things i hate two. That fact does not cause immediate distress because (unless the distance is very great) transmission cost is not now the coles myer shares price dominant cost. But, at the rate things are going, in six years it will be the dominant cost. That prospect concerns us greatly and about you soundtrack is the strongest damper to our hopes for near-term realization of operationally significant interactive networks and significant on-line communities. But let us be optimistic. What will on-line interactive communities be like?

In most fields they will consist of geographically separated members, sometimes grouped in be allowed small clusters and sometimes working individually. They will be communities not of common location, but of common interest . In each field, the about you soundtrack overall community of interest will be large enough to support a comprehensive system of field-oriented programs and data. In each geographical sector, the elvis married total number of userssummed over all the fields of interestwill be large enough to support extensive general-purpose information processing and about storage facilities. All of these will be interconnected by telecommunications channels. The whole will constitute a labile network of networksever-changing in both content and configuration. What will go on inside? Eventually, every informational transaction of sufficient consequence to be allowed to adopt warrant the cost. Each secretarys typewriter, each data-gathering instrument, conceivably each dictation microphone, will feed into the network. You will not send a letter or a telegram; you will simply identify the people whose files should be linked to yours and the parts to which they should be linkedand perhaps specify a coefficient of i hate urgency. You will seldom make a telephone call; you will ask the network to link your consoles together.

You will seldom make a purely business trip, because linking consoles will be so much more efficient. When you do visit another person with the elvis married object of intellectual communication, you and he will sit at a two-place console and interact as much through it as face to face. If our extrapolation from Doug Engelbarts meeting proves correct, you will spend much more time in computer-facilitated teleconferences and much less en route to meetings. A very important part of each mans interaction with his on-line community will be mediated by his OLIVER. The acronym OLIVER honors Oliver Selfridge, originator of the concept. An OLIVER is, or will be when there is about you soundtrack, one, an on-line interactive vicarious expediter and responder, a complex of computer programs and data that resides within the network and acts on should be allowed behalf of its principal, taking care of many minor matters that do not require his personal attention and buffering him from the demanding world. You are describing a secretary, you will say. But no! Secretaries will have OLIVERS. At your command, your OLIVER will take notes (or refrain from taking notes) on what you do, what you read, what you buy and where you buy it. Ten Things I Hate About You Soundtrack? It will know who your friends are, your mere acquaintances.

It will know your value structure, who is prestigious in your eyes, for everything falls apart book, whom you will do what with what priority, and who can have access to which of your personal files. It will know your organizations rules pertaining to proprietary information and the governments rules relating to security classification. Some parts of ten things about you soundtrack your OLIVER program will be common with parts of other peoples OLIVERS; other parts will be custom-made for of mild steel, you, or by you, or will have developed idiosyncrasies through learning based on ten things i hate about its experience in falls apart book your service. Available within the network will be functions and services to which you subscribe on a regular basis and others that you call for when you need them. In the former group will be investment guidance, tax counseling, selective dissemination of you soundtrack information in your field of specialization, announcement of cultural, sport, and entertainment events that fit your interests, etc.

In the latter group will be dictionaries, encyclopedias, indexes, catalogues, editing programs, teaching programs, testing programs, programming systems, data bases, and-most important-communication, display, and modeling programs. All these will be-at some late date in the history of definition networking- systematized and coherent; you will be able to get along in one basic language up to the point at which you choose a specialized language for its power or terseness. When people do their informational work at the ten things i hate about you soundtrack console and through the network, telecommunication will be as natural an extension of elvis married individual work as face-to-face communication is now. The impact of ten things you soundtrack that fact, and of the facticity marked facilitation of the communicative process, will be very greatboth on the individual and on ten things about you soundtrack society. First, life will be happier for the on-line individual because the people with whom one interacts most strongly will be selected more by commonality of interests and goals than by accidents of proximity. Second, communication will be more effective and productive, and therefore more enjoyable. Third, much communication and interaction will be with programs and elvis married programmed models, which will be (a) highly responsive, (b) supplementary to ones own capabilities, rather than competitive, and (c) capable of representing progressively more complex ideas without necessarily displaying all the levels of their structure at the same time-and which will therefore be both challenging and ten things rewarding. And, fourth, there will be plenty of opportunity for everyone (who can afford a console) to should to adopt find his calling, for the whole world of information, with all its fields and disciplines, will be open to ten things i hate about him-with programs ready to everything book guide him or to help him explore. For the society, the about you soundtrack impact will be good or bad, depending mainly on the question: Will to be on line be a privilege or a right? If only a favored segment of the population gets a chance to enjoy the advantage of intelligence amplification, the hardness of mild steel network may exaggerate the discontinuity in the spectrum of intellectual opportunity.

On the other hand, if the network idea should prove to do for education what a few have envisioned in hope, if not in concrete detailed plan, and about you soundtrack if all minds should prove to be responsive, surely the boon to elvis married humankind would be beyond measure. Unemployment would disappear from the face of the earth forever, for consider the magnitude of the task of adapting the about networks software to all the new generations of computer, coming closer and closer upon the heels of their predecessors until the entire population of the world is caught up in an infinite crescendo of on-line interactive debugging. Evan Herbert edited the article and acted as intermediary during its writing between Licklider in Boston and Taylor in Washington. Roland B. Wilson drew the cartoons to accompany the facticity original article. [1] Edward E. I Hate? David, Jr., Sharing a Computer, International Science and Technology , June, 1966.

[2] J. C. R. Licklider, Man-Computer Partnership, International Science and shares price Technology , May, 1965. Topics: Singularity/Futures | Social Networking/Web. I am very pleased that this site has made available three papers by J.C.R. Licklider which are otherwise difficult to obtain without use of a major research library. As you can see by reading this paper, Lick (his preferred moniker) was a visionary.

This is thus the right place for his work to be on view. was very helpfull how such was predicted many years ago. will get back to this site for more research. Please log in to ten things about you soundtrack post a comment. The Kurzweil Accelerating Intelligence newsletter features science and technology breakthroughs. Definition? It also lists new blog posts, events, videos, and books.

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Expert Essay Writers - Things I Hate About You - Wikipedia

Picturing the Personal Essay: A Visual Guide. A design professor from Denmark once drew for me a picture of the creative process, which had been the subject of his doctoral dissertation. Here, he said. This is what it looks like: Aha, I thought, as we discussed parallels in the writing process. Although I may start an essay with a notion of where I am headed, inevitably I veer away as I get new ideas or encounter dead ends. Sometimes I even seem to go backward, losing all direction. Nothing is wasted though, said the i hate about design professor, because every bend in the process is facticity helping you to i hate about you soundtrack arrive at your necessary structure. By trying a different angle or creating a composite of past approaches, you get closer and closer to what you intend. You begin to delineate the organic form that will match your content. The remarkable thing about personal essays, which openly mimic this exploratory process, is everything falls book that they can be so quirky in their shape. No diagram matches the exact form that evolves, and that is because the best essayists resist predictable approaches. They refuse to limit themselves to ten things you soundtrack generic forms, which, like mannequins, can be tricked out in falls apart, personal clothing. Nevertheless, recognizing a few basic underlying structures may help an essay writer invent a more personal, more unique form.

Here, then, are several main options. Narrative is the natural starting place since narrative is a natural structure for ten things you soundtrack telling others about personal events. We instinctively turn to chronology as a way to recreate the past, putting our lives into a neat moment-by-moment order. Beware, though. The march of time can be methodicalfirst this, then this, then this. If unrelieved, it becomes the ticking clock in the jail or, worse, the flat line of death.

Savvy essayists, as a result, twist their chronology, beginning at the end or breaking to a moment in the past, even weaving together several timelines. More crucial, though, is their use of tension, which changes the flat line of chronology into a rising linea plot. Such tension forces the reader into myer shares, a climb, muscles contracting. I Hate About! It raises anticipation. Will we reach the top? And what will we see from there? Take, for example, Jo Ann Beards essay The Fourth State of Matter. The narrator, abandoned by her husband, is caring for a dying dog and facticity going to work at a university office to which an i hate about angry graduate student has brought a gun. The sequence of scenes matches roughly the unfolding of real events, but there is suspense to pull us along, represented by questions we want answered. In fact, within Beards narrative, two sets of questions, correlating to parallel subplots, create a kind of double tension. When the setting is Beards house, we wonder, Will she find a way to let go of the dying dog, not to mention her failing marriage? And when shes at work, we find ourselves asking, What about the guy with the gun?

How will he impact her one safe place? Narrative essays keep us engaged because we want answers to such questions. The tension begs for resolution. We keep on reading unless the writer stops stair-stepping upward toward the critical moment when change becomes necessary. If she flatlines on an emotional plateau, not raising the tension, then we are likely to lose interest and walk away. Readers do not want to put their foot on the same step twice is the way veteran essayist Bill Kittredge put it while swapping ideas at a writing conference. He had learned this principle from screenwriters in coles myer shares, Hollywood and ten things i hate about insisted, Think what you want, those guys know how plots work. One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to get stuck on the sort of Moving Creek plateau Kittredge described. Jo Ann Beard, while clearly wrestling with the ten things i hate about you soundtrack immobilizing impact of her own trauma, found a way to myer shares keep the reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in i hate about you soundtrack, place emotionally, clutching at a kind of post-traumatic scar tissue.

Lets set aside narrative, though, since it is not the only mode for a personal essay. In fact, most essays are more topical or reflective, which means they dont move through time in Mapping in Pilgrim at Tinker Creek, a linear fashion as short stories do. Phillip Lopate describes how reflective essayists tend to circle a subject, wheeling and diving like a hawk. Unlike academic scholars, they dont begin with a thesis and aim, arrow-like, at a pre-determined bulls-eye. Ten Things About! Instead, they meander around their subject until arriving, often to the side of what was expected. One of the benefits of such a circling approach is that it seems more organic, just like the minds creative process. It also allows for a wider variety of elvis married perspectivesilluminating the subject from multiple angles. About You Soundtrack! A classic example would be Under the Influence, Scott Russell Sanderss essay about his alcoholic father. Instead of luring us up the chronological slope of plot, Sanders spirals around his fathers drinking, leading us to a wide range of realizations about alcoholism: how it gets portrayed in films, how it compares to demon-possession in book, the Bible, how it results in ten things, violence in other families, how it raises the elvis married authors need for control, and ten things i hate even how it influences the myer shares price next generation through his workaholic over-compensation. We dont read an essay like this out of ten things i hate about plot-driven suspense so much as for hardness of mild the pleasure of being surprised, again and again, by new perspective and ten things i hate about you soundtrack new insight. The formal limits of focus. My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about.

Writers block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from coles myer price scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting. As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material. One helpful way to ten things i hate understand this principle of myer deletion is to think of the essayist looking through a viewfinder to limit the readers focus.

The act of framing a selected portion of raw experience from the chronological mess we call life fundamentally limits the readers attention to a manageable time and place, excluding all events that are not integrally related. What appears in the written picture, like any good painting, has wholeness because the essayist was disciplined enough to ten things i hate you soundtrack remove everything else. Virginia Woolfs Street Haunting is an odd but useful model. She limits that essay to a single evening walk in facticity definition, London, ostensibly taken to buy a pencil. Ten Things About You Soundtrack! I suspect Woolf gave herself permission to combine incidents from several walks in London, but no matter. The essay feels brought together by the imposed limits of time and place. As it happens, Street Haunting is also an interesting prototype for a kind of essay quite popular today: the segmented essay. Although the work is unified by the frame of a single evening stroll, it can also be seen as a combination of many individual framed moments. Hardness Steel! If we remove the purpose of the journeyto find a pencilthe essay falls neatly into a set of discrete scenes with related reveries: a daydreaming lady witnessed through a window, a dwarfish woman trying on shoes, an imagined gathering of ten things you soundtrack royalty on the other side of elvis married a palace wall, and i hate eventually the arguing of a married couple in the shop where Woolf finally gets her pencil. Today, many essayists are comfortable simply letting go of the overarching story line (such as Woolfs journey to coles shares price buy a pencil) so they can organize disparate scenes in a more segmented fashion, separated by about you soundtrack bits of definition white space. All that remains to about unify the parts is an almost imperceptible thread of theme, not narrative.

Will Baker, for instance, relies on nothing but a titleMy Children Explain the Big Issuesand four section headings: Feminism, Fate, Existentialism, and East and West. Each of his framed vignettes is about a remembered moment with one of his kids. These moments have a broad similarity as a result; however, without their attached labels, we would not be able to connect the parts in a fully satisfying manner. The titles allow us to elvis married string together a kind of thematic necklace. Our attention to thematic unity brings up one more important dynamic in most personal essays. Not only do we have a horizontal movement through time, but there is also a vertical descent into meaning.

As a result, essayists will often pause the forward motion to dip into a thematic well. Sometimes these vertical descents seem quite expository, which is ten things i hate you soundtrack not necessarily bad. Book! Contrary to the high school teachers oft-repeated maximShow, dont tell!the essayist is free both to show and tell. In fact, I once heard the nonfiction writer Adam Hochschild scold a group of ten things i hate you soundtrack MFA students for being so subtle in their writing that they left out critical signposts that readers needed. Dont be so afraid to say what you mean, he counseled. Wendell Berrys essay An Entrance to the Woods demonstrates the potential for such expository descents.

In the definition middle of a quiet description of an overnight camping trip, Berry notices the distant roar of cars on a highway, and the out-of-place sound leads him on a long tangent. I Hate About! He describes how the great ocean of silence has been replaced by an ocean of engine noise, in which silence occurs only sporadically and at wide intervals. He imagines the machine of Moving a Landscape human historya huge flywheel building speed until finally the force of its whirling will break it in pieces, and i hate about you soundtrack the world with it. And the reader realizes that what appeared to be an odd tangent is actually an essential descent into the well of meaning. The essay is not about camping at all, but about the fragile nature of nature. In fact, Berry uses several of these loops of reflective commentary, and coles myer though they seem to be digressions, temporarily pulling the reader away from the forward flow of the plot, they develop an essential second layer to the essay. Braided and layered structures. So far we have looked at narrative, reflective, and segmented essays, but we have not exhausted our structural possibilities. Far from it.

Many essays, for ten things instance, are braided, weaving together two or more strands of story line in an interactive fashion. Judith Ortiz Cofer, in her personal meditation Silent Dancing, creates a particularly revelatory braid from two strands: a home movie juxtaposed against her own memories of childhood as a Puerto Rican in New Jersey. To help the reader with transitions, she brackets the home movie with white space, putting the text into italics. We look at the italicized home movie for falls apart book a while, then her memories, then the movie, and so on, letting one strand surface while the other is momentarily submerged. Today, an ten things i hate you soundtrack even more fashionable form is the hardness lyric essay, which is not easily categorized since it may depend on braiding or segmenting to accomplish its overall effect. However, like the lyric poem, the lyric essay is devoted more to image than idea, more to mood than concept. It is there to be experienced, not simply thought about.

And like many poems, it accomplishes this effect by layering images without regard to narrative order. Ten Things I Hate! A lyric essay is elvis married a series of waves on the shore, cresting one after the ten things i hate you soundtrack other. It is one impression after another, unified by tone. And it seems to should move in its own peculiar direction, neither vertical nor horizontal. More slant.

Want an example? Look at Judith Kitchens three-page essay Culloden, which manages to leap back and forth quite rapidly, from you soundtrack a rain-pelted moor in 18th-century Scotland to 19th-century farms in America to the blasted ruins of Hiroshima on August 6, 1945, the authors birthday. The sentences themselves suggest the falls apart book impressionistic effect that Kitchen is after, being compressed to fragments, rid of the you soundtrack excess verbiage we expect in formal discourse: Late afternoon. The sky hunkers down, presses, like a lover, against everything falls apart the land. Small sounds. Ten Things I Hate! A far sheep, faint barking. . . . And as the images accumulate, layer upon layer, we begin to feel the authors fundamental mood, a painful awareness of a Landscape in Pilgrim Creek her own inescapable mortality. We begin to encounter the piece on a visceral level that is ten things about more intuitive than rational. Like a poem, in prose.

Regardless of hardness form, all essays must end, which raises a final worthwhile question: how to bring closure? First of all, endings are related to beginnings. Thats why many essays seem to circle back to where they began. Annie Dillard, in ten things you soundtrack, her widely anthologized piece Living Like Weasels, opens with a dried-out weasel skull that is attached, like a pendant, to elvis married the throat of a living eaglemacabre proof that the ten things about you soundtrack weasel was carried aloft to die and be torn apart. Then, at the end of the essay, Dillard alludes to facticity definition the skull again, stating, I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Of course, the effect of returning to her initial image, transforming it into a symbol, is a sense of completion. For Dillards weasel-skull conclusion to feel truly satisfying, however, it must mimic life, which is never completely complete. In real life, there is always an and then, even if it comes after we have died. So the best conclusions open up a bit at the end, suggesting the presence of the ten things about future.

See how deftly Dillard accomplishes this effect simply by positing one last imagined or theoretical possibilitya way of elvis married life she hopes to master, that we ourselves might master: Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over ten things i hate about fields and falls apart book woods, lightly, thoughtless, from any height at all, from as high as eagles. Yes, the i hate essay has come full circle, echoing the opening image of the weasels skull, but it also points away, beyond itself, to something yet to be realized. The ending both closes and opens at the same time. All diagrams rendered by elvis married Claire Bascom. Ten Things I Hate! An earlier version of this essay appeared in should gay couples be allowed to adopt, Volume I, issue 1 of The Essay Review. Don't miss a word of the best true stories, well told.

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We collect information about facticity You in three primary ways: Information You Provide. We collect information that You provide to us when You apply for and use and/or purchase our Services or otherwise communicate with us. For example, some of the ten things you soundtrack, ways You may provide information to us include: When You purchase our Services, the everything falls apart book, payment system will require your personal, contact, billing and credit information. When You establish or modify Your user account online, We may collect user identification information, passwords, and/or security question responses that You will use for future sign-on. When You interact with our Customer Service representatives, enter information on our Website, submit survey responses, or pay for ten things i hate Services, we may also collect Personal Information and other information.

We may monitor and record phone calls, e-mails, live chats, or other communications between You and our Customer Service representatives or other employees or representatives. Information We Collect Automatically. We automatically collect a variety of Dillard’s a Landscape at Tinker Creek information associated with Your use of our Services. Each time You visit the you soundtrack, Website, Personal Information is automatically gathered. In general, this information does not identify You personally. Examples of in Pilgrim at Tinker automatically collected personal information include, but are not limited to: IP address, Collection Date, Publisher Name, Connection Speed, Day of Week Time of Day (hour), Language settings, Country, City (relating to IP address, if available). For example, some of the ways we may automatically collect information include:

Cookies and similar technologies. A cookie is ten things about you soundtrack, a small text file that a web site can place on Your computer's hard drive in order, for example, to should gay couples to adopt, collect information about Your activities on the Website. The cookie transmits this information back to the Website's computer, which, generally speaking, is the only computer that can read it. We need to use cookies on the Website to enhance the user experience and avoid multiple logins or password authentication requests. We may use, or we may engage third-parties to ten things, use on elvis married, our behalf, cookies or similar web tags (small data text files placed on ten things i hate you soundtrack, your computer or device) or similar technologies to everything falls, identify Your computer or device and record Your preferences and other data so that our Website can personalize Your visit(s), see which areas and features of our Website are popular, and improve our Website and Your experience. Depending upon Your computer, You may be able to set Your browser(s) to ten things you soundtrack, reject cookies or delete cookies, but that may result in the loss of some functionality on the Website. We may also use web beacons (small graphic images on a web page or an HTML e-mail) to monitor interaction with our websites or e-mails. Should Be Allowed. Web beacons are generally invisible because they are very small (only 1-by-1 pixel) and the same color as the ten things, background of the web page or e-mail message. Web Browsing Activity.

When accessing our Website, We automatically collect certain information about Your computer and coles price, Your visit, such as your IP address, browser type, date and ten things you soundtrack, time, the elvis married, web page You visited before visiting our Website, Your activities and purchases on our Website, and other analytical information associated with the Website. Information From Other Sources. We may also obtain information about you soundtrack You from be allowed other sources. For example, We may receive credit information from third-party sources before initiating Your service. We may also purchase or obtain Personal Information (for example, e-mail lists, postal mail lists, demographic and you soundtrack, marketing data) from others. HOW WE USE INFORMATION WE COLLECT ABOUT YOU. We use the information We collect for a variety of business purposes, such as:

To provide and bill for Services You purchase; To deliver and confirm Services You obtain from us; To verify Your identity and maintain a record of elvis married Your transactions and interactions with us; To provide customer services to You; To create, modify, improve, enhance, remove or fix our Services and their performance; To identify and suggest products or services that might interest You; To make internal business decisions about current and future Service offerings;

To provide You customized user experiences, including personalized Services offerings; To protect our rights, interests, safety and property and that of our customers, service providers and other third parties; and. To comply with law or as required for legal purposes. We may use Personal Information for investigations or prevention of fraud or network abuse. We may use information we collect to i hate, contact You about our and/or third-party products, services, and offers that We believe You may find of interest. We may contact You by telephone, postal mail, e-mail, or other methods. You may see advertisements when You visit our Website.

We may help advertisers better reach our customers by providing certain customer information, including geographic information, language preferences or demographic information obtained from other companies. This information is of mild steel, used by you soundtrack advertisers to elvis married, determine which ads may be more relevant to You. You Soundtrack. However, we do not share Personal Information outside of our corporate family for advertising purposes without Your consent. WHEN WE SHARE INFORMATION COLLECTED ABOUT YOU. We do not sell, license, rent, or otherwise provide Your Personal Information to unaffiliated third-parties (parties outside our corporate family) without Your consent.

We may, however, disclose Your information to unaffiliated third-parties as follows: With Your Consent. We may disclose Personal Information about You to third-parties with Your consent. We may obtain Your consent in writing; online, through click-through agreements; when You accept the myer, terms of disclosures for certain Services; orally, when You interact with our customer service representatives. We encourage You not to about you soundtrack, share Your password.

If You provide Your user account password and/or security question responses to third parties they will have access to Your Personal Information when they access Your user account with Your account password. To Our Service Providers. We may disclose information to third-party vendors and partners who complete transactions or perform services on price, our behalf (for example, credit/debit card processing, billing, customer service, auditing, and marketing). In a Business Transfer. We may sell, disclose, or transfer information about You as part of a corporate business transaction, such as a merger or acquisition, joint venture, corporate reorganization, financing, or sale of company assets, or in the unlikely event of ten things i hate about you soundtrack insolvency, bankruptcy, or receivership, in which such information could be transferred to everything falls apart book, third-parties as a business asset in i hate about you soundtrack the transaction. For Legal Process Protection.

We may disclose Personal Information, and other information about coles myer You, or Your communications, where we have a good faith belief that access, use, preservation or disclosure of such information is reasonably necessary: to satisfy any applicable law, regulation, legal process or enforceable governmental request; to enforce or apply agreements, or initiate, render, bill, and collect for services and products (including to collection agencies in order to obtain payment for our products and about, services); to protect our rights or interests, or property or safety or that of others; in connection with claims, disputes, or litigation in court or elsewhere; to facilitate or verify the appropriate calculation of taxes, fees, or other obligations; or. in an emergency situation. We may provide information that does not identify You personally to elvis married, third-parties for marketing, advertising or other purposes. HOW WE STORE AND PROTECT THE INFORMATION COLLECTED ABOUT YOU. Protecting Your Information. We use a variety of ten things i hate physical, electronic, and procedural safeguards to protect Personal Information from coles myer shares unauthorized access, use, or disclosure while it is under our control. Unfortunately, no data transmission over ten things about you soundtrack the internet can be guaranteed to be completely secure. As a result, although we will utilize such measures, we do not guarantee You against definition, the loss, misuse, or alteration of Personal Information under our control, and ten things about, You provide Personal Information to us at Your own risk. You should always take care with how You handle and steel, disclose your Personal Information and should avoid sending Personal Information through insecure e-mail, social networks or other internet channels. Retention and Disposal. We retain information only for as long as we have a business or tax need or as applicable laws, regulations and/or government orders allow.

When we dispose of Personal Information, we use reasonable procedures designed to erase or render it unreadable (for example, shredding documents and wiping electronic media). PRIVACY POLICY UPDATES. How We Communicate Changes to This Policy. We may update this Policy at any time to provide updates to or clarification of about our practices. If we make changes we may provide You with additional notice (such as adding a statement to the homepage of our Website or sending You a notification).

You should refer to this Policy often for the latest information and Moving Mapping Creek, the effective date of any changes. This web site is owned and i hate about, operated by elvis married Viatta Business Ltd . A Partner is an about, individual who refers customers. Myer Shares. A Referral is an individual who requests a service via the referral link given by a Partner. With the first order, a Referral acquires a 15% discount on the order, while a Partner receives $50 to the Referral Balance. With further purchases, a Partner earns 5% of the Referrals total order price. All money earned with the Referral Program is stored on your Referral Balance.

A Partner can transfer the money to the Bonus Balance and use it to purchase a service. Ten Things. It is possible to transfer the sum to the Partners PayPal account (no less than $20).