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5 Tips to Score a 12 On Your ACT Essay. There is accounting informations, no question that the ACT is important for high school students who are thinking about applying to college. While the multiple choice sections are designed to assess students knowledge in math, English, science and reading, there is also a writing section that assesses students abilities to write an essay. Doing well on this section of the ACT can help distinguish you as an memory of the accomplished writer to colleges. Though you can easily understand your score a multiple choice test, you might be left wondering what will earn you a good score on the ACT essay. Informations! If youre aiming for a 12 on the ACT essay, read on human for some tips and tricks! While the multiple choice sections of the ACT might be more unforgiving, the ACT essay is informations, a great opportunity to essay army, show off your writing skills.

According the ACT website, you should aim to write a unified, coherent essay in which you: clearly state your own perspective on the issue and analyze the relationship between your perspective and at least one other perspective develop and support your ideas with reasoning and examples organize your ideas clearly and accounting informations logically communicate your ideas effectively in Standard written English. To see these ideas in motion, you can take a look at a sample ACT prompt and essay here . The ACT essay is scored on a scale of human, 1 to 12. Your essay will be read and scored by two different grades on a scale of informations, 1 to a mockingbird innocence, 6 in four different domains, for a total score out of 12 in each of accounting, these four domains. These four scores will then be averaged for a total score out of memory of the, 12. For more information about how this section of the test is accounting, scored, you can look at the official ACT Writing Test Scoring Rubric . In general, if you are aiming to do well in something, you should know what exemplary work looks like and try to emulate it. This is certainly the case for the ACT Essay, so before you walk into to kill innocence the testing center to write your essay, make sure you know know what essays that scored a 12 in accounting informations, this section look like! Be sure to read as many sample essays as you can findthese should be available online through a quick Google search. Keep in mind, though, that the structure of the writing section changed in Fall 2015, so make sure that the examples you are looking at army are current and align with the structure of the current essay prompt. Accounting! As youre looking at essays that scored a 12, be sure to also look at essays that scored in the middle and essays that received a poor score. Try to to kill, understand what went wrong in the poorly scored essays as well as what could be improved in the middle-scoring ones.

Take note of what was successful in the high-scoring sample essays that you readwhat makes these essays stand out accounting from the middle-scoring ones? If there are notes from graders that justify the scores of the essays, be sure to say no to animal testing, pay attention to these as well. Aiming for a high score on informations the ACT essay section means that you need to try to understand exactly what the graders are looking for. Study the rubric once more and remember what youll need to accomplish in each category. Tip 2: Pick a perspective and stick to it. When it comes to say no to animal testing, the writing prompt, the ACT website says The test describes an issue and provides three different perspectives on informations the issue.

You are asked to read and consider the issue and perspectives, state your own perspective on the issue, and analyze the relationship between your perspective and at least one other perspective on why do women stay in abusive relationships the issue. Accounting Informations! Your score will not be affected by the perspective you take on women stay in abusive relationships the issue. In order to write a strong essay, you can choose whatever perspective you likejust make sure its one that you can support and defend effectively throughout your essay. Accounting! Scorers are looking for a strong, well-organized point of women stay relationships, view, and like it says above, it doesnt matter whether you agree, disagree, or are somewhere in informations, the middle; what matters is the writing. It is of the, important to remember that even if you dont agree with the perspective that youre writing from on a personal level, your essay needs to show that you can effectively argue a point. In addition, make sure to remember to relate your perspective to one of the perspectives provided in accounting informations, the prompt. Be sure to address the counter arguments as well in one of your body paragraphs, using the to kill perspective opposite to your personal perspective to accounting informations, demonstrate your understanding of opposing views. Grounding your writing in concrete examples is one extremely important element of writing effective ACT essay. You could use this as an opportunity to show off your historical knowledge by relating your argument to a relevant fact or event in history or current events, or you could come up with a rhetorical scenario or example. Human Definition! Including examples might even mean including a personal anecdote (although if you do end up doing this, you should make sure that your story is accounting informations, short and relates directly to your argument). Take a look at the ways in which the essay on pakistan army writers of sample essays that scored a 12 managed to seamlessly incorporate examples into their writing. While you dont have to be an expert on the essay topic, nor are you expected to be able to list off obscure facts and informations trivia about it, you need to make sure that your essay draws from real concrete examples rather that just vague abstract arguments.

Tip 4: Dont be afraid to show off your language skills. One of the markers of on Roles in Frankenstein Shelley, a successful ACT essay is its use of language. This is a great opportunity to show off some of your ACT/SAT vocabulary words that you might have been studying for accounting, the English section of the test. Opt for higher-level vocabulary words when given the chanceas a general rule of army, thumb, you should aim to use about 1-2 higher level vocab words per paragraph. Scorers want to see that you can navigate the English language skillfully, and so you should also take the accounting informations chance to vary your sentence structure when you get the chance. Consider, also, utilizing devices such as rhetorical questions and human definition complex sentences. If you are going to use more complicated vocabulary and grammar structures, however, make sure you fully understand how to accounting informations, use them. Say No To Animal! It will reflect poorly upon your writing skills if you include a complicated word that doesnt make sense in the context of a sentence, or if a grammatical structure that you try to accounting, use isnt quite right.

If youre going to why do women, use a semicolon to combine two sentences, for example, make sure you understand that a semicolon is not the same thing as a comma. When in accounting, doubt, stick to what you know! It is better to have a less complicated structure that is used correctly versus an attempt at a more advanced grammatical concept that is actually wrong. Lastly, be sure to keep it real in your writing. While scorers want to see students who are skilled in say no to animal, their use of the english language, it is easy to tell when someone is simply trying to accounting informations, electrify their vocabulary in order to titillate the reader for the written examination. Your writing and tone should reflect who you are as a writer, so remember to essay on pakistan army, keep it down to earth. Tip 5: Pay attention to timing your energy level. For the accounting essay section, you will get 40 minutes. This includes time for planning, writing, and editing, so make sure you dole out the appropriate amount of women, time for each part of the process. Accounting! You can practice this by timing yourself to write an essay from a sample prompt at home. Start by giving yourself an hour, and gradually work it down to 40 minutes so that you are prepared by testing the time the testing date rolls around.

If you find that you need more time for planning than you do writing, or if you come to learn that you need a particularly large chunk of time to edit, keep these things in mind when it comes time to write your essay for accounting, the exam. The essay will be the last section on the test, so keep this in mind while you complete the multiple choice sections of the ACT. While you should be devoting your full attention and energy to each multiple choice section of the test, keep in mind that once you are finished with all of the multiple choice sections, you will still have to write the essay. When you get breaks between sections, be sure to memory past, eat a snack, drink some water, and use the restroom so that you are not uncomfortable or distracted by the end of the test. While you might be tempted to just breeze through the essay section so that you can finish the ACT, know that you will not be allowed to leave the testing center until everyone has finished the testso be sure to use up all of the accounting informations allotted time!

For more information about the ACT and essay writing, check out these blog posts: Latest posts by Devin Barricklow (see all) How to make yourself employable as early as possible and why it matters - October 2, 2017 How to Make the Most Out of Those Summer Reading Lists - July 28, 2017 5 Ways to Tell if You Have a Good Personal Statement Topic - July 9, 2017. Human Definition! We#8217;ll send you college prep tips #038; admissions info. 125 Cambridge Park Dr. Cambridge, MA 02140. Subscribe to our newsletter.

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fractal art essay A contribution to The Annotated Grateful Dead Lyrics. Used with permission. The author reserves all rights. Robert Hunter's response: Fractures of accounting informations, Unfamiliarity and Essay in Frankenstein by Mary Shelley Circumvention in informations, Pursuit of a Nice Time. Copyright notice Robert Hunter has been the primary lyricist for the Grateful Dead ever since he mailed St.

Stephen, China Cat Sunflower, and Alligator to the band from New Mexico in 1967. Born in 1941, Hunter grew up in California and studied drama for essay a year at the University of Connecticut, before he spent half a year with the National Guard and later signed up for the same psychedelic research that led Ken Kesey to informations write One Flew Over The Cuckoo's Nest. His songwriting collaboration with Jerry Garcia and, occasionally, other members of the Grateful Dead yielded such classic Dead tunes as Truckin', Touch of Grey, and human Dark Star. Hunter's lyrics emblazon thousands of tie-dyed t-shirts and skeleton-adorned bumper stickers. Other work of Hunter's includes lyrics for Zero and Bob Dylan as well as a translation of informations, Rainer Maria Rilke's Duino Elegies and volumes of poetry, most recently Sentinel . When analyzing song lyrics, certain basic differences from poetry have to be understood and observed. Essay On Roles By Mary. When comparing popular song lyrics to contemporary or classic poetry, it is difficult not to miss a striking difference in accounting informations, quality--song lyrics generally tend to be outspoken and trite where poetry clouds itself in ambiguity and complex imagery. Bill Flanagan argues that: Rock roll musicians are strange artists. Women In Abusive. Their code of manners dictates that they not appear to take themselves very seriously, while the best of informations, their work contains all the passion, imagination, and craft of legitimate art.

The intelligent rock musician is put in of Women, the position of working as hard as a poet or painter, while being expected to accept his gifts with the self- deprecating shrug of the idiot savant. (Flanagan, ix) However, the majority of rock lyricists aims at an audience which is supposed to recognize a song instantly during the accounting informations, few weeks it is played heavy-rotation on FM radio and essay on pakistan then forget it as soon as possible. Rock lyrics tend to make a point quickly and to make sure that it is understood. Therefore, they reach for clichd imagery and accounting informations blatant statements of emotions that traditional poetry would have tended to memory of the skillfully embed in high-flung imagery, a tendency which can lead to examples as inane as the informations, ones parodied in Donald Barthelme's How I Write My Songs. One of the reasons, however, why such a direct comparison of essay army, lyrics and poetry is accounting, not fair is not only to be found in the consumer culture pressures that surround the pop music industry, but in the fact that popular music lyrics are not meant to be read at all. Say No Testing. Obviously, the text has to be read within the framework of the music it was written for. This holds especially true for Robert Hunter's lyrics, because the unique nature of the accounting informations, music of the Grateful Dead adds layers of meaning to by Mary Shelley the text and vice versa. A further point I decided to informations take into consideration is that the a mockingbird, Grateful Dead are not successful as a recording band that scores top ten hits (with the notable exception of the 1987 Touch of Grey); their studio albums are usually do not fulfill expectations. The strength of the band is accounting informations, unquestionably the live concert--the Grateful Dead have been the number one grossing touring band over the last couple of years, outdoing the Essay of Women, likes of Madonna and informations Paul McCartney, without releasing a new studio album since Built to Last in 1989.

This means that the usual way Hunter lyrics are being perceived is at a concert. Therefore, everything that happens at a Grateful Dead concert should be taken into stay in abusive, account when reading the lyrics. In this paper, I will try to show how the Grateful Dead concert experience and the lyrics of Robert Hunter's songs interweave and complement each other, mutually adding significance and accounting meaning to one another. One model on how to understand the mutually reinforcing structure of a rock concert can be abstracted from Erika Fischer-Lichte's The Semiotics of Theater . Of course, according to Fischer-Lichte's definition, a concert does not constitute theater; however, her theories can give valuable ideas for a way of to animal testing, looking at accounting the experience of a concert. According to Fischer-Lichte, every sign that is given during the performance can be assigned to on Roles in Frankenstein Shelley a group or system, and the sum of all used and received signs that either correspond or oppose each other in meaning allow an overall interpretation or understanding of the accounting, performance.

The fourteen sign systems Fischer-Lichte enumerates are: sound, music, linguistic signs, paralinguistic signs, mimics, gestures, proxemic signs, mask, hair, costume, stage conception, stage decoration, props, and lighting. These all make sense in a rock concert environment, especially in more theatrical performances as they became common with stadium bands during the 1970s. An additional system of significance would be the song selection and order, which might be considered a subgroup of the on pakistan army, music or linguistic groups. Audience participation should be included, as well. Unless a lot of spoken text is involved, the paralinguistics can not be considered significant, since the loudness, pitch, etc. of a song are inherent in accounting informations, the music and essay army therefore do not justify a group of their own. Props are rare in rock concerts, as well, although some performers have been known to accounting informations turn their instruments into significant objects, such as Liberace or Prince. The uniqueness of a Grateful Dead concert lies in the emphasis on certain sign systems over others. Past. While obviously almost every rock concert relies heavily and primarily on accounting the music and the linguistical signs (which are, after all, our objects of interest), the Dead emphasize them more than usual by cutting down on the others--the stage decoration is why do women stay in abusive, colorful yet unobtrusive, there is no dancing or hardly any movement by the band members other than what is necessary to accounting play the instruments, the clothing of the band is purely functional and they stopped conversing with the audience years ago. The lighting, designed by Candance Brightman since 1972, is not self-conscious but supports the music: Brightman's lighting is extraordinarily sensitive to subtleties in the band's interactions, shunning bombastic effects for a vivid focusing of attention that is as much a part of the jam as the music itself (Shenk 28). Furthermore, it includes the psyche definition, audience by [breaking] down the barriers between the Dead and accounting its fans by lighting the band so they can still see the audience, or by lighting the audience itself (Shenk 29).

An important point to past note is that none of the sign systems function to enhance the star status of the band-- everything is focused on the music and informations the relation to the audience. The absence of in abusive, proxemic signs, mask, hair, props, and costumes is significant in that it enhances the emphasis on accounting informations the music and the lyrics while taking away from the special status of the a mockingbird innocence, band members. The order of songs, though, is of exceptional importance during a Grateful Dead show. Traditionally, since about 1977, the show is informations, split into a first and a second set, where the first set is characterized by more conventional songs that are played without too much improvised jamming; the say no to animal, length of the songs stays within reasonable limits as well. The second set, in informations, contrast, features many improvised jams that stretch the songs easily out to fifteen, twenty minutes. Psyche Definition. At some point in the second set, Mickey Hart and Bill Kreutzman (percussion drums) will take over and play an extend drum solo while everyone else leaves the stage.

Before they are finished, the other band members return, and Hart and accounting Kreutzman leave the stage. On Roles Of Women In Frankenstein Shelley. What follows is an extended, beatless jam of exploratory sounds known as Space. Bob Bralove, in the liner notes to Infrared Roses , describes it like this: Somewhere in accounting, the middle of the memory past, second set of every Grateful Dead show the band turns a corner. They enter a musical environment without walls or structure. The song form is abandoned, and accounting the very elements of music may be called into question. The only to kill innocence mandate is to accounting explore new territory. It is an Essay on Roles in Frankenstein Shelley environment where rhythm, tone, color, melody, and harmony can be explored without rules or predetermination, a musical adventure where composition and performance are one. After Space, the accounting informations, band will play three or four more songs, commonly ending with a high- energy song like Good Lovin' or Sugar Magnolia, and come back for a one-song encore. This pattern forms a relatively firm structure in which highly unstable elements are put--the music is Essay in Frankenstein by Mary, always improvised, and not one song has been played twice the informations, same way, and the actual list of songs played always varies, to the point where not even the band members know what they will play before they go on stage.

This is of high importance because the underlying structural principle will become evident in Hunter's lyrics, as well. Since certain songs are usually played in the first set and others in the second set, it seems reasonable to group them according to this differentiation and begin by taking a closer look at the first set songs. Jack Straw is a classic first set song--out of the 424 times it had been played between 1971 and say no testing 1992, DeadBase lists only 41 second-set appearances. The song appears to be a narrative of a criminal character who drifts through the American wilderness, jumping trains and digging graves while eagles circle high above. Accounting Informations. It seems to be rooted deeply in an American tradition of fireside songs.

The same holds true for memory of the Dire Wolf, a bitter story of death and gambling, precisely set in time and informations space: In the timbers of Fennario. the wolves are running 'round. The winter was so hard and cold. froze ten feet 'neath the ground (1-4) The narrative features virtually no metaphors or similes; everything seems to happen at face value--a complicated search for meaning or interpretation is unnecessary. Again, the song is closer to traditional American music than love songs heard on the radio.

It is direct yet not necessarily blatant or trite since the subject matter is uncommon for contemporary American rock lyrics. The Grateful Dead classic Truckin' features some opaque references, yet the song is obviously trying to capture the vicissitudes of a life on the road as the band members have experienced it. Essay. Some lines, like Busted--down on Bourbon Street (37) refer to commonly known incidents (in this case the accounting informations, band's drug bust in New Orleans); others like What in the world ever became of sweet Jane? (25) are probably in-jokes that aren't meant for a broad audience to grasp. Even more clearly an American song in the best tradition of human, folk singers like Woody Guthrie or Phil Ochs is Cumberland Blues, a song depicting the plight of a mine worker. Hunter's eye in describing his topic was so sharp that he heard of an actual Cumberland miner wondering what the guy who wrote this song would've thought if he'd ever known something like the Grateful Dead was gonna do it. He considers this the best compliment he ever received for a lyric (Hunter 52), obviously because it certifies an accounting authenticity he aimed for. It seems that first set songs commonly share a genuine American topic (the open road, the past, wilderness, unions, etc.) and often sketch a narrative world including characters and situations. Instead of accounting, propagating emotions, as rock lyrics often seem to, they focus on say no testing fictional events that often involve gamblers, cowboys, drunkards, and outlaws.

The imagery and lyrical makeup of the songs tends to be simple so as to give a definitive, discernable meaning. An investigation of accounting informations, second set songs quickly shows that they are of a different character. China Cat Sunflower, a typical second-set song since the early eighties, may serve as a prime example: the lyrics refuse any narrative or symbolic reading, the words simply are. Hunter acknowledges the non-rational nature of the song with his tongue-in-cheek remark: Nobody ever asked me the meaning of this song. People seem to know exactly what I'm talking about. To Kill A Mockingbird. It's good that a few things in this world are clear to all of us (Hunter 35). Nonsensical as they may be, the lyrics bear a close resemblance to the dreamy, colorful playfulness of Lennon/McCartney's Lucy in the Sky with Diamonds-- Picture yourself in a boat on a river, With tangerine trees and marmalade skies.

Somebody calls you, you answer quite slowly, A girl with kaleidoscope eyes. Cellophane flowers of accounting informations, yellow and green, Towering over your head. Look for the girl with the Essay in Frankenstein, sun in her eyes, Lucy in informations, the sky with diamonds (1-9) In the surrealistic, candy-colored playfulness of both songs, the words are not meant to mean anything; the usual tools of interpretation have to fail here. As Hunter says, I like a diamond here, a ruby there, a rose, certain kinds of human psyche, buildings, vehicles, gems.

These things are all real, and the word evokes the thing. That's what we're working with, evocation. (Gans 26). His concern is not merely narrative or mood anymore, but evocation and association, something much closer to poetry than to the common clichs of accounting, pop lyrics. Crazy Fingers is another example for to kill a mockingbird this approach to songwriting--it is content with letting its verses set a mood without making any sense. Accounting. Hunter calls it a collection of haiku- style verses, mostly seventeen syllables, some more successful than others, with no connecting link other than similarity of mood (Hunter 45). Some of the imagery is indeed not very original; the Deep Sea of Love (7) can surely be encountered elsewhere. Nonetheless, certain paradoxical images (like Recall the days that still are to come (3)) and the overall disjunctive structure of the text make for a strange, unlikely song that refuses to be understood on any intellectual level.

It can only be described in its emotional impact, the longing and bittersweet reminiscing it evokes in human, a unique way. Similar points can be made for Eyes of the World-- it is interesting to note that the lyrics seem to make sense, yet on accounting informations any objective level, they do not. Traditional analysis of the on pakistan army, text may or may not yield satisfactory results by assigning connotations and significance to, say, the redeemer(22) , the accounting, mile-long wings (7) or the a mockingbird, eyes of the accounting informations, world themselves; fact is that the inherent instability of the lyrics, fueled again by interior contradictions like . the on Roles of Women by Mary Shelley, seeds that were silent / all burst into bloom and decay, (26-27) will not allow for a final, reductive interpretation. It is informations, clear that Hunter does not aim to communicate meaning at all; he says, I'd really prefer not to get into why do stay relationships, tearing apart the symbology of my songs [ . . . ] and accounting informations I'll tell you why: symbols are evocative, and if there were a more definite way to say things, you'd say them that way. A symbol, by it's very nature, can pull in many, many shades of meaning, depending on the emotional tone with which you engage the piece (Gans 23). The lyrics of say no to animal testing, songs commonly played as encore or to close the accounting, second set are often more direct (as Sugar Magnolia) or soothing lullabies (Brokedown Palace). The course of a Grateful Dead concert, then, can be said to memory of the past describe an accounting informations arc that ranges from traditional, narrative lyrics that concur with conventional playing to stay in abusive outrageous flights of fancy in the second set, correspondingly in the musical jams as well as in the ambiguity-laden, irrational, highly evocative lyrics. The strangeness climaxes during the purely instrumental Space, during which the band is at its most exploratory. The last songs and accounting the encore return the audience to a festive or pensive mood. However, the function of the lyrics during a Grateful Dead concert is more than to simply underline the music--the linguistic signs are not present to emphasize what is in Frankenstein by Mary, happening in the music. Instead, there seems to be a strange interplay between familiarity and informations newness, and it is at this edge of the well-known and the innovative that the Grateful Dead draw energy.

Audience response is a valuable key to this aspect of the music and the lyrics. Experience and my subjective impression suggests that the audience at a Grateful Dead show is usually more responsive and alert than audiences at other rock concerts, but since there is no data to prove or argue this point, it can not be made in a meaningful way. What is observable and obvious, though, are the immense cheers and shouts that erupt at certain points in the concert, namely when the band returns from a long stretch of Essay in Frankenstein Shelley, interpretation to the melody (and therefore, mostly, the lyrics), and at certain catchphrases within the accounting informations, lyrics that have gathered almost mystical meaning over the years. Both phenomena need to be looked at more closely. In the improvisational style of the Grateful Dead (jazz syntax with a rock lexicon, as David Gans calls it (ix)), melody as one of the markers signifying a song is subject to sudden change-- at its best, the band composes on to animal testing the stage, making up new elements on the go; the accounting informations, process of creating becomes visible to the audience. Part of the philosophy that allows this approach is that mistakes are possible, probable, and excusable-- on to kill a mockingbird a bad night, they bore you to tears, but a good night makes it all worth it. (Gans iix) The initial melody of the song, however, is not variable, and it is always safe to predict the band's return to it after a period of jamming that is so utterly unpredictable in direction, style, and length that not even the band itself can foresee what will happen: I can't predict what the band is going to do at any given moment (Jerry Garcia quoted in Gans 59). Since the lyrics will be sung only once the proper, initial melody has returned, the counter argument is mostly true, also--when the accounting informations, melody returns, so will the lyrics. The audience cheers at these points because the return of the melody and therefore the lyrics means a return to the familiar, to the predictable and understandable after long forays into the unknown.

While this holds true for say no to animal virtually any return to the preestablished, well-worn structural elements of the song, certain catchphrases within Hunter's lyrics seem to yield an especially enthusiastic response by accounting informations the audience. A good example for to kill innocence this is If you get confused, listen to the music play (20) from Franklin's Tower, a line that taken by itself offers guidance to a perplexed listener. Yet it is embedded within a song that is as obscure as a lot of second set- lyrics; Franklin's Tower is evocative yet of undeterminable meaning. Accounting. The above-mentioned catchphrase-line is almost hidden within the song and has to be read out of context to prompt the joyful response it usually gets. More obvious examples of the embedded catchphrase are to be found in first-set songs like Loose Lucy, a rare Hunter love song, where the audience chooses to take the chorus out of context by applying it to the band itself: Singing: Yeah, yeah, yeah, yeah / singing: Thank you / for a real good time (7-9). Here, the function seems to be that of a mutual pat on the back; the cheers represent the subculture of Deadheads and the Grateful Dead acknowledging each other's faithfulness--it is here that it becomes manifest that the Dead made a mystical pact with their fans, vowing to carry the psychedelic torch as long as they can play their music (Lee 290). Whether Hunter had such an opportunity for unique bonding in mind when he wrote the lines remains undetermined, yet the authors of Skeleton Key could not but remark on Hunter's knack for a mockingbird coining aphorisms that yield hard-won truths after hundreds of hearings (150). The most famous example is certainly the oft-quoted Lately it occurs to me / what a long, strange trip it's been (23-24) from Truckin', a line that paradoxically admits to the uniqueness of the experience by being its most clichd example. It seems that a lot of these phrases took on the meaning for the Deadhead community that they did because they were obvious and understandable. On a paradigmatic level, it should be surprising that a band that is so directly associated with a certain lifestyle and a set of accounting informations, beliefs as the Grateful Dead hardly convey any messages at all in their lyrics.

It can be safely assumed that one would generally expect a hippie band with all the unavoidable stereotypes, to be much more blatant about their convictions. Yet, as the women stay in abusive relationships, above analysis already shows, Hunter usually confines himself to a narratives of traditional American adventures in informations, the broadest sense and more abstract, lyrical, and image-laden texts that only yield meaning by association and evocation. However, there are lines hidden within his lyrics that have taken on very charged connotations exactly because they seem to be more outspoken and direct, and a philosophy can be attributed to them. All these lines have turned into catchphrases as well, cheered at concerts and printed on countless t-shirts and bumper stickers. Scarlet Begonias, a song commonly played to open the second set yet at least somewhat narrative in that it has a narrator and a female character, yields two instances of embedded catchphrases-- Once in a while / you get shown the light / in the strangest of places / if you look at it right (31-34) and Strangers stop strangers / just to shake their hand (46-47).

The philosophies that can be abstracted from these lines by reading them out of context include the search for truth in unlikely places, maybe in the tradition of the angel-headed hipsters (2) who roam the urban wasteland in Ginsberg's Howl, and a proclamation of unsolicited friendliness and of the openness that the accounting, stock and trade of the hippiedom the Grateful Dead supposedly stand for. All this is abstracted again from the less direct context the lines originally appear in; the Deadhead community seems to say no to animal testing have taken what it could and accounting informations abandoned the quirky senselessness of The wind in the willows played tea for two / The sky was yellow and the sun was blue (44- 45). Essay On Pakistan. The argument could be made that the aphoristic lines are not only cheered at because of what they mean and imply, but simply for informations the fact that they mean at all. They are familiar lines within an ambiguous lyrical world that refuses to be reduced to a discernable, single interpretation. The catchphrases are familiar lines within a familiar yet, to to animal testing the rational mind, unyielding lyrical world. Scarlet Begonias refuses to be understood as a whole, so the audience jumps at those four lines that seem to make sense. Informations. The catchphrases, then, are to human definition the rest of the lyrics what the melody is to the improvisational jam--they mark the return to an understandable, well-known, and familiar touchstone before the next journey into newness and obscurity. This phenomenon can probably be best understood when looking at accounting what is generally considered the prime example of the Grateful Dead's efforts, Dark Star: Dark Star is the kernel of wide open possibility at the core of the Dead's repertoire, the essential seed promising unlimited intergalactic space journeys at the speed of total mindwarp: Shall we go,/ you and I/while we can? It is the most exploratory of Dead tunes and it is the human psyche definition, trippiest, the one where the acidic whistle of the dark interstices is heard most starkly, where you might turn any corner and step off into accounting, the void.

It is the Dead's spirit of musical adventure at why do women relationships its strangest, wildest, most vehement, weirdest, dreamiest, and the place where the leading wave of the Dead's music is most often audible being created in mid-air. (Jim Powell quoted in informations, Shenk 51) Interestingly, Dark Star was the first song that Hunter wrote together with the Grateful Dead in 1967. Testing. The lyrics are extremely short, considering that a full-fledged Dark Star can easily last half an hour. The song is made up by two verses that are usually separated by minutes and minutes of intense jamming. A close reading reveals Hunter's technique of juxtaposing the abstract and accounting informations the concrete in Shelley, a single image, parataxis, and contradiction in full bloom. Searchlight casting / for faults in accounting informations, the / clouds of delusion (7-9) is such a tricky image, suggestion that the speaker has a very clear sense of what he is say no testing, talking about, yet again, the song cannot be said to mean anything in accounting informations, any traditional sense, and not even the tedium of a symbolic reading will yield any meaning. To Animal Testing. However, the verse beginning Shall we go. Informations. which precedes the next drawn out jam insinuates that the speaker understands, and invites the human definition, reader along through the transitive nightfall / of accounting, diamonds (14-15). The drawn-out jam that usually follows can be understood as exactly the transitive nightfall / of diamonds, the lyrics then talking about the music, a kind of meta-lyric. After seemingly endless improvisation, the text and melody returns with Mirror shatters (16), an psyche event cheered by the audience as it means the return to a familiar signpost.

It has been argued that Dark Star draws its power from the violation of norms and the constant impossibility of accounting informations, assigning meaning: ['Dark Star' leads] to a transcendent mysticism because the music, continually violating norms and expectations, avoid a clear marking or denotation of a signified. What is left is a state of to kill, ambiguity in which the listener is accounting, enticed into closer attention of momentary detail. (Skaggs, quoted in Shenk 64) I would argue that the overwhelming power of Dark Star and, in essay on pakistan army, a broader sense, the overall effect of a Grateful Dead show, does not entirely rely on the elusiveness of its signs, be it musically or linguistically, but on accounting the tension it creates between the familiar and the new. The Deadhead community as a whole exists because of the a mockingbird, familiar aspects of the Dead. Accounting Informations. The fascination of the band grows largely out of the relationships between the improvised and a mockingbird innocence the structured that are increasingly complex to the point of becoming fractal. The model that I would suggest for the intricacies of informations, a Grateful Dead show and the rich relationships that exist between the lyrics and the music is that of a mockingbird innocence, fractals, self-containing geometrical structures like the Mandelbrot set. Accounting. The outside of the Gingerbread man are the ordered regions, where a number can easily be assigned to the function, z (n+1)=z(n)2+c, while the black inside of the Gingerbread man stands for total, absolute chaos, unstructuredness. The edge where those two areas meet is characterized by intense, bizarre beauty and recurring images of the bigger picture that recede--like a Russian doll, the Gingerbread man contains images of himself, infinitely, just as a Grateful Dead concert contains recurring patterns of familiarity and innovation on Essay in Frankenstein by Mary a receding scale. The overall structure of the concert is accounting informations, firm, or almost firm--there are always exceptions, yet the pattern of first and second set, drums, space, and encore are set. This structure is filled with actual songs every night; the choice of songs varies, yet the songs are generally well-known and familiar. The way they are going to be played on any given night, however, is uncertain and actually unpredictable--no improvisational jam that opens in preconceived places within the song will be the same, yet it can be assumed it will be at a given place. The lyrics, joining the memory of the, return to the melody, are firm and part of informations, a preconceived pattern within a song.

They will not be changed or tampered with. However, the firm and unchanging lyrics have shown themselves to be unsteady and a mockingbird undecidable due to their ambiguous and informations contradictory character. This is only true, again, for say no testing the most part, since the accounting informations, lyrics do contain embedded catchphrases that possess a heightened familiarity within the psyche definition, song. The audience will recognize and informations appreciate these moments of predictability and profound understanding as a community before the jam wanders off into unknown directions again, possibly into the far reaches of musical exploration in Dark Star or to the completely strange and of the wordless Space, which can be considered the climax of unfamiliarity within the development of the concert. After the purely instrumental excesses of Space, the return of rhythm, harmony, melody, then lyrics, and finally understandable and informations rational lyrics is greeted by enthusiastically by the audience which is pleased to be gently returned to a sensical universe where exploration and rediscovery, departure and return, ambiguity and blatantness co-exist and fuel each other. Hunter's lyrics are allowed to Essay on Roles be reasonably narrative and accounting plain-old weird at given times; the music always corresponds to or counter-accentuates the words, both live off each other in Essay on Roles of Women by Mary, an organic and healthy way. Standing on informations their own, the lyrics to Dark Star might seem interesting and lyrical yet pointless; in union with the music, they gather as many meanings as the listener can assign to them: [Jerry Garcia:] Dark Star has meant, while I'm playing it, almost as many things as I can sit here and by Mary imagine, so all I can do is talk about 'Dark Star' as a playing experience. [Charles] REICH: Well, yeah, talk about it a little. Informations. [Jerry Garcia:] I can't. It talks about itself. [Charles] REICH: Each time it comes out in a different way? [Jerry Garcia:] Yeah, pretty much. There are certain structural poles which we have kind of set up in innocence, it, and accounting informations those periodically we do away with. (Garcia 85) The music of the Grateful Dead and the lyrics of Robert Hunter open up spaces within the work of art they form together that make textual interpretation of the lyrics futile.

The lyrics function not as an absolute that is stated, but as a tool for semiosis--at every concert, they can and memory past do mean something different according to accounting informations how the variable parts in the music change. Definition. Every time a song is performed, a different set of potential meanings that are inherent in the piece will be actualized for a different audience. Various parts of the concert experience are firm, others are variable, and as I tried to illustrate using the accounting, Mandelbrot set, the firm parts contain further movable aspects, and vice versa. The resulting multi-media, multi-sign system artifact can shine in infinite variations. The result is one of an ever-changing, fluctuating whole that contains familiar parts while never completely yielding to reason. On Pakistan. This amorphous, continuously self- altering gestalt that is a thirty-year process --the seams show, there are parts that are completely opaque and others that we have known for decades, and it always changes: It stumbles, then it creeps, then it flies with one wing and then it flies with one wing and bumps into trees and informations shit (Garcia 76). Deadhead sociologist Rebecca Adams puts it this way: People say Deadheads are throwbacks. I think they are pioneers. They recognize that reality is subjective--there is no right way--and have been cognizant of these multiple realities for a lot longer than most other people. Definition. This is post-modernism.

It's the cutting edge (quoted in Shenk xiii). Accounting Informations. Robert Hunter's lyrics are a vital part of memory past, this experience, providing the mind-searching music with an informations incessantly fascinating imagery that both underscores and counter-points its meaning by not meaning anything at all.

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essay test time An Essay on Time. by Rolf-Dietmar Ehrhardt. translated by accounting Kati Sheppard. Time allows people to perceive motion.

Furthermore, people perceive it differently. One might feel that his perception of say no to animal testing, time and its manifestation is informations within a timely context and its justification, regardless if near or far. On the other hand, another person might perceive time as a hand on a clock that moves along minute by women stay in abusive relationships minute, validating each change as a sequence of time. It is utmost important to understand that the concept of time is accounting not easy to explain and not easy to comprehend; even among each other. Especially complicated it will get if one introduces the concept of an essay afterlife and the probability of accounting, time existing in those spheres of on Roles in Frankenstein by Mary, existence. The question arises, if time does not exist in an afterlife: How can communication take place between the two spheres?

Hoping to better demonstrate the events that take place, I would like to introduce a model to accounting shed some light on this important aspect of exploring the afterlife. First of all, it is important to distinguish between the existence of a physical - mathematical term of time and the existence of a consciousness term of time within each human being. All of us are aware of the phrases: Well, that took a long time!, That went fast!, How much longer will that take? and Essay on Roles of Women Shelley, so forth. No conflict arises with the physical term of informations, time, since we do have scales to monitor time, as we know it, with explicit accuracy. But, does time exist without the existence of a human being, who interprets what time is - with his human consciousness?

Simply put, does time exist without someone reading the clock? To demonstrate the variety of explanations of human psyche definition, this phenomenon, I would like to use a few quotations of other possible models: the one-after-the-other-correspondence of informations, things. the succession of human psyche definition, happenings, to informations be experienced as an irreversible sequence of events, a longitude of change, incidents in nature and history. to be viewed, depending on scientific (philosophical) views, as finite or infinite, homogenous, divisible continuum, which under specific points of human, view and appropriations act as a scheme of order. (c) Bibliographisches Institut F. A. Brockhaus AG, 2001 [german translation] Time in accounting informations physics. In physics: time is, by to kill innocence experience, not influenceable.

However, it is according to the theory of relativity with the instance of motion of a time measuring observer and its dependent base quantity (t) and accounting informations, seconds (s). Newtonian, classical physics (non-relative), declared time independent of matter and Essay on Roles of Women in Frankenstein Shelley, independent of its variations in its material change, with a clear causal connection (earlier-later-relation) to equally go off in every space of the universe at accounting the same time. By definition of women stay in abusive relationships, a time interval with a beginning and an end of randomly reproducible events, independent of the measures of the experiments as a unit of time and durance, time becomes precise. (c) Bibliographisches Institut F. A. Brockhaus AG, 2001. is the basic concept necessary to comprehend the informations motion of matter. Although, for spatially separated events, no absolute earlier-later-relation can be indicated. Yet it is essay on pakistan possible for timely separated events and especially for points of accounting informations, a world-line ( = explanation of the human psyche definition movement of a point through a curve in a four dimensional space-time-world); for those, the direction of time is fixed. (c) Physiklexikon Band 2 , VEB F.A. Brockhaus Verlag.

is for informations, the casual perception a continuous progression in which all changes take place. Within the memory space-time-continuum all statements are relative. Accounting! Each statement depends on the location of the observer and Shelley, his motion relative to the observed object. (c) Das neue Taschenlexikon Band XYZ, Bertelsmann Lexikon Verlag. Time (by Stephen W. Hawking) According to the theory of relativity, each observer has his own measure of time, which is registered on the watch he is wearing. Watches on different observers do not have to register the same measurement of time. Therefore, time evolved into a personal concept, depending on the observer who is measuring it.

(c) Eine kurze Geschichte der Zeit - Die Suche nach der Urkraft des Universums - Stephen W. Hawking - Rowohlt Verlag. [(c) A brief history of time - from the big bang to black holes - Stephen W. Accounting Informations! Hawking] Time and essay, Cosmology. Time came about with the big bang, since time before the big bang is could not be defined. The big bang theory suggests: Before matter, space, and accounting informations, time came to memory being, everything was concentrated within a singularity of extreme density and temperature. Quantitative cosmology was able to approach this singularity to about 10 -34 seconds. Hence, all statements that lie before that time cannot be made, since one must consider the quantum effects of gravity, for which there does not exist a theory yet. Time within a black hole does not exist. Time and Consciousness. Because of the scientific method, the accounting informations physical-mathematical concept of time is determined without any reference to past human consciousness.

But time is something that every person experiences. Each day we fill it, time that is, with meaningful things. A universal determination of time must therefore include an experiencing individual, the informations perspective of a first person, and that of Essay on Roles in Frankenstein by Mary Shelley, others as well. Contrary to the scientific concept of informations, time, a lifetime is an existential dimension. Forecast or the past look back do not exhaust themselves in accounting informations a distant registration of facts and their causal connection. Through the consciousness of time, a correlation can be found to ones own behavior, goals, motivations, and consequences. Past and future are equally judged. Goals can be set, accountability of possible consequences can be taken, and guilt can be restored. (c) Bibliographisches Institut F. A. Of The Past! Brockhaus AG, 2001. Time within Human Consciousness. The passage of the present is experienced differently within the human consciousness; the non-reversable passage of events, which is experienced as past, present, and future in the context of things coming to be and passing away.

We experience the world as a directed process which allows a conceptual division of accounting, space and time. Therefore, time is an abstract emphasis of changeable states of reality. (c) Bibliographisches Institut F. A. Brockhaus AG, 2001. the feeling of change in moments, hours, days, months, years. (c) Deutsches Woerterbuch 1996. Interestingly, perception, observer, assessment, consciousness and judgment are important elements in all definitions and descriptions of time. It is obvious that for the perception of time, a consciousness must be present.

For example a watch on Mars with no observer - digits will change! But is this considered a measurement of time? More and on pakistan army, more explorers of established sciences believe that something becomes existent only through observation - even our universe itself. Please remember that all of our perception is based on five senses. Accounting Informations! However, far more things exist which cannot be perceived by why do women in abusive relationships our five senses.

Every person can convince him/herself of this by looking at x-rays and microwave radiation photographs of the universe. Clearly something (and probably a lot of things) exist that we cannot perceive. On the Human Plane (our 3 dimensional world) we experience different types of consciousness': The I - consciousness still exists regardless whether I turn off all signals to my sense organs, that is if I loose contact with my outer world and my own body itself. The waking-consciousness; the opposite to informations the loss of consciousness. The sleep-dream-consciousness is marked by Essay on Roles Shelley the disjunction of the stimulus to all five sense organs.

The near death-consciousness resembles an extreme disjunction between the individual mind and its matter-bounded resonance. Lets take a look at a simple and accounting, well known example: While sleeping, we do not register the time sequence known to us during the waking state. Our sleep-dream-consciousness is therefore completely different from essay our waking-consciousness. Could it be that time, as we know it, does not exist if I slept forever? Or could that mean that only for me common time did not exist?

It is quite obvious that only for me common time would not exist. But still, common time would exist for everybody else that did not sleep forever. But who asked in the first place? Is it the I of a human construction which is accounting limited by five senses? Yet, our wake-consciousness depends on our world which is essay army made up of three dimensions, to even allow the perception of accounting informations, time.

Obviously, human wake-consciousness, three dimensionality, and time make a unit. Is it possible that sleep-dream-consciousness offers other types of perception? What about people who possess the ability of clairvoyance, mediumship, or other types of ESP (Extra Sensory Perception)? Do these people bridge the concept of time which never existed in the first place? What would happen if sleep-dream-consciousness could be deliberately brought about? Would we be without time, in the known sense, but yet with a body and women, not being conscious of the absence of accounting, time? Some people are able to deliberately put themselves in a state of mind that permits the perception of psyche, just that; the accounting sleep-dream-consciousness. These people report on spiritual/astral journeys outside of their bodies. The body remains, while their soul explores different realms or just other places on earth. Distance and time seem not to matter anymore.

Bilocation - the ability to appear in women in abusive two different places at the same time - is just another phenomenon which suggests that time and space exist in ways other than those known to us. Is human consciousness independent of its body? This obviously must be the informations case. Are there different types of why do in abusive relationships, consciousness connected to a person? Yes, recall the definitions. Is it possible, that in the moment when a person is unable to relate to himself and his environment with his 5 senses, part of his consciousness travels -- independent of informations, time and space? This seems not only possible, but a fact (i.e., while dreaming at night). So what aspect of consciousness, what exactly travels? It is the soul. Doesn't this suggest that a person, within the three dimensional existence and his concept of on Roles of Women Shelley, time, is accounting informations without time during this specific state of Essay of Women in Frankenstein, consciousness?

Yes, since he cannot perceive time as we know it. To him time does not exist. Therefore, three dimensional existence and time make a unit to be perceivable by a person. Who else supposed to perceive it? Does time exist in the afterlife? If we talk about informations, time as we know it, then time does not exist there, since the person with his 5 senses is not present.

Could it be, that a different measure of time exists? How can one define it? All the statements coming from the spiritual (not 3 dimensional) world say that time does not exist as known on past, earth. How can we picture reality in a spiritual world? When one looks at the state of accounting, consciousness of the bodily/spiritual self as an energy field, as an aura which can be seen by someone with the a mockingbird right skills, a means of understanding opens up. Hypothetically, let us consider that the energy field of informations, a person (possibly more) exists and that clairvoyant people are able to perceive it. Furthermore, we want and can assume that this energy field distinguishes itself from person to of Women by Mary Shelley person by its color, arrangement, distribution, density, and in its intensity. The structure and intensity of an energy field changes constantly within the wake- consciousness of an individual, unless the person is able to stabilize his consciousness at accounting will - just as mediums do for example. Innocence! Furthermore, lets assume that not only people with ESP, but also entities from an accounting informations afterlife are able to perceive this energy field. Hence, this energy field acts as a link to energetically perceive us people.

How are such changes within a person noticeable? From changes in say no to animal the structure and informations, intensity of the energy field. Some may say: The person's vibration differed as he 'moved' into a different frequency or into a different plane of vibration. Entities in essay the afterlife, with the same or similar energy fields, are in contact with one another whenever it is desired. This type of contact is executed via telepathy, the accounting transmission of thoughts (see The Power of by Mary, Thoughts). Whenever a desire is present to reach other entities in the hereafter outside of our own perimeter, a change of consciousness must take place in order to change one's own thought process. Is time essential?? How does the consciousness of the entity changes that wishes a contact? It is possible that the thought process of the entity can change and that is accounting a development of its consciousness, since the energy field always exist.

That is an action with no time needed, since the process of thought does not depend on time and is not limited by velocity or distance to essay change an accounting energy field with its frequency and/or pattern. What will change during the adaptation of the sender are the memory of the past possibilities of reception - of the new consciousness through other entities. Entities, who always have been situated on that newly created frequency and/or pattern, are now able to register a new entity who is now sending its pattern of thought. All that has changed is informations that contacts between other entities is now possible. A difference cannot be perceived, since the connection to the former plane of consciousness is now interrupted. That leaves us with the fact that a contact is possible between two entities, which comes to an end when no more resonance exist between their planes of stay, consciousness, since one has changed its vibration / frequency and/or pattern. This could indicate a development. That implies that time does not exist in the way : now it is like that and later it will be different. Hence, there exist only the perception or the non-perception of other entities. It is only about informations, - To Be.

In the so called ghost-plane , a stage of consciousness where deceased people gather with an especially strong earthbound consciousness, it is possible, because of the essay on pakistan strong connection to earth, that earthly time is still being registered, since the deceased is in accounting a frequency that is essay army close to earth. Accounts of accounting informations, this area often state that the deceased could remain in this state of consciousness for over hundreds of years (measured while using the scientific method), until they are ready to develop a new pattern of thought fueled by realization which now opens up to resonance with other planes of consciousness via telepathy - to achieve contact telepathically. The new pattern of thought gives rise to a change not of but in consciousness. How is a contact between entities of an afterlife within a timeless frame, and people in the 3-4 dimensional world possible? Contacts between spiritual realms and our world only take place during a communication between the different states of consciousness. The soul must reduce its consciousness, in order to become perceptible and knowledgeable within the 3-4 dimensional reality = incarnation- consciousness ( IC ). To do just that, the soul must use an object, in our case a human body, with its qualities and essay army, limitations. Since the soul remained in a timeless state of being, it has now the informations opportunity to experience time, since it is memory of the bound to accounting informations a body that is subject to laws and conditions of a 3 dimensional existence.

So there exist a whole-consciousness of the soul and an incarnational-consciousness which manifests itself within the human form. The whole-consciousness cannot be absolutified, but rather seen as a relative component of a soul. That means, the whole-consciousness of soul # 1 is different from that of soul # 2. The question of the necessity of time is a highly philosophical one. Time actually shows variability and transience of all earthly states of being, perceived by living things who are equipped with an appropriate consciousness in order to perceive time. A person falls into a state of past, timelessness during the sleep state or if he calls upon it by demand. To view time as being existent, a perceivable consciousness is needed. The daily exchange of wake-consciousness to sleep-dream-consciousness with the accounting informations perception of timelessness by the sleeper only shows: Time only exist in one specific state of consciousness. A person experiences other states of consciousness, in which the perception of time is human definition not possible, unless he is in accounting his wake-consciousness which allows perception of say no to animal, time as we know it. Time, as we know it, only exist in 3 dimensionality. Entities, after changing or adjusting their consciousness, have the ability to perceive happenings on earth which are bound by accounting time.

For entities, this type of adjustment is often times sustainable only for a short period of time, since energy is necessary to achieve this state. Women! Most contacts are cut short because of the accounting informations degeneration of energy; which is required. Earthly time does not exist in the hereafter, as established above. In conclusion, a quote from the book Gehirn Magie (Brain Magic) from Ulrich Warnke: The most amazing journey in midst the theories of quantum mechanics is the one of traveling in the future and in the past at the same time. Human Psyche Definition! Today, understandably, this is very often ignored.

According to Einstein: For us trusting physicists, the separation between past, present, and informations, future is a bare, yet stubborn illusion. Einstein's quote makes sense to of the us, since everything that is perceived depends on informations, consciousness. In addition, if there exist a form of consciousness which is able to perceive time as presence, past, and future, then the process cannot be much different for people as reading a complex and long novel in which the Essay of Women in Frankenstein by Mary Shelley end has already been defined, but the reader only perceives time when changing the pages. And if the hero of the novel would have decided differently on page x, then there must exist a second novel which would have manifested itself in a different book to be perceivable to the reader.

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